Killer art-skool avant-pop from 1981, sung in made-up languages and dished up for the first time by Concentric Circles – the personal imprint of Freedom To Spend’s Jed Bindeman, following his issue of Carola Baer’s home-brewed synth-pop masterpiece. Kudos to Bindeman for reaching the point, after just a couple of releases, where we’re convinced beyond any doubt that everything on this label is gonna be gold.