His 2009 World Circuit debut, the raw and uncut Secret Agent, has all the ingredients that combine to make Afrobeat so special – fat, full-throated, hard riffing horns; nagging tenor guitars; jazz- and funk-informed saxophone and trumpet work outs; effervescent chicken-shack keyboards; lyrics rich in folk metaphors and proverbs, some of which confront state corruption and oppression (Kuti’s most frequent targets); deep-soul call and response vocals; and, of course, energising everything around it, Allen’s majestic drumming.